open source audio identification
MusicBrainz recording
Ring My Bell
Anita Ward
3:56
622452c0-a1dc-4179-971d-6d4ebf939d64
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
34
linking them to it
Fingerprints
51
distinct audio files
Duration
3:07–4:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4cf0a4fd-382c-43c6-8a6d-f333cda92d95
Also linked to
Ring My Bell 7' Version (re-recorded) by Anita Ward, Ring My Bell (re‐recorded) by Anita Ward and
|
3 | 3:50–3:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
e16ac093-d6ff-4c6e-9bc0-df06a798d3ed
Also linked to
Ring My Bell by Anita Ward, Ring My Bell by Anita Ward and
|
14 | 3:55–4:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
e8ced37e-e425-43df-af1d-6c8e1a4ff9d9
Also linked to
Ring My Bell by Anita Ward, Ring My Bell by Anita Ward and
|
20 | 3:49–3:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
7874bdd6-9eff-4510-b2d2-61ce5e3898dc
Also linked to
Ring My Bell by Anita Ward feat. BNY, Ring My Bell by Anita Ward and
|
10 | 3:51–3:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | e08f829d-4af5-4797-af43-0d2b1cbf847e | 2 | 3:07–3:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 6a4004a8-07b7-45d9-991d-9e3f7cfbe5e7 | 1 | 3:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | 30d8c668-9fd0-4e7d-96a0-bc71aabbbe50 | 1 | 3:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.