open source audio identification
MusicBrainz recording
Getting My Heart Back Together Again (Aka Hear My Train A Comin')
Jimi Hendrix
8:25
live, Royal Albert Hall, London, UK
61de101c-b0c1-4b65-b63b-c6bfa83ebdaf
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
58
linking them to it
Fingerprints
22
distinct audio files
Duration
6:56–10:34
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
88d59eb2-4c90-47d0-b5a0-2aedd7dc8a7e
Also linked to
Hear My Train A-Comin’ (Gettin’ My Heart Back Together Again) by The Jimi Hendrix Experience, Bleeding Heart by Jimi Hendrix
|
6 | 8:23–8:28 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
b2fd03ea-ac2b-499f-9cf3-4b3048bff23b
Also linked to
Getting My Heart Back Together Again by The Jimi Hendrix Experience
|
2 | 10:34 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
236a5089-3751-408e-9813-3bb5d6f0d460
Also linked to
Hear My Train A Comin’ by The Jimi Hendrix Experience, Hear My Train a Comin’ by Jimi Hendrix and
|
6 | 6:56–6:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
f1c938b8-984a-4ef8-a805-cdd1fe4eee90
Also linked to
Hear My Train a Coming by The Jimi Hendrix Experience, Hear My Train A-Comin’ (Gettin’ My Heart Back Together Again) by The Jimi Hendrix Experience and
|
5 | 8:23–8:26 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | a77b5bdd-3c6f-4a9b-baf5-38a4a4eed088 | 1 | 8:45 | ||||||||||||||||||||||||||||||||||||||
| F |
f2187125-6343-427a-87a7-e48d8fc4c24e
Also linked to
Hear My Train A-Comin’ (Gettin’ My Heart Back Together Again) by The Jimi Hendrix Experience
|
2 | 8:31–8:32 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.