open source audio identification
MusicBrainz recording
I Ran (So Far Away)
A Flock of Seagulls
5:12
2004 re-recording
612f43fc-bb2b-40f1-8381-833a62d20fb3
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
32
linking them to it
Fingerprints
35
distinct audio files
Duration
4:27–5:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ffa59289-a400-4190-95bf-58a13bdda988
Also linked to
I Ran by A Flock of Seagulls
|
6 | 5:09–5:12 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
91899c6c-0b51-4592-98f5-a7661e230008
Also linked to
I Ran (maxi version) by A Flock of Seagulls, I Ran (So Far Away) by A Flock of Seagulls and
|
2 | 5:02 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1bda232a-9cdf-4576-bb12-3f0781ade6f8
Also linked to
I Ran by A Flock of Seagulls, I Ran (So Far Away) (Main Version) by A Flock of Seagulls
|
2 | 5:05 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | bbd26b97-8112-4d1d-81f1-e52c14844172 | 1 | 4:58 | |||||||||||||||||||||||||||||||||||||||||||
| E |
7a8e530c-d810-4a2c-812c-b7fd0e791185
Also linked to
No One Is to Blame by Howard Jones, No One Is to Blame (live) by Howard Jones and
|
6 | 4:27–4:33 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 3530fa91-d283-4a05-9293-a0c7e2e65c15 | 1 | 5:08 | |||||||||||||||||||||||||||||||||||||||||||
| G |
91421107-258e-45e0-bf9b-73df4d22862e
Also linked to
I Ran by A Flock of Seagulls, I Ran (So Far Away) by A Flock of Seagulls and
|
17 | 5:00–5:06 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.