open source audio identification
MusicBrainz recording
Ante Up
M.O.P.
3:53
edited version
61298c6d-7ba4-4279-92c7-47653fcb754b
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
157
linking them to it
Fingerprints
69
distinct audio files
Duration
3:34–4:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5f496f8c-1422-4f64-b711-f7dbd1c153b4
Also linked to
Ante Up (Robbin Hoodz Theory) by M.O.P., Ante Up (Robbin Hoodz Theory) by M.O.P. and
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36 | 3:51–3:56 | |||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B | 904cf72d-6f11-49b0-bc6b-1cef78235dfd | 1 | 3:53 | |||||||||||||||||||||||||||||||||
| C |
0319c87a-b9d7-4b1a-90b2-282b3ba13f06
Also linked to
Ante Up (remix) (album version) by M.O.P. featuring Busta Rhymes, Tephlon and Remy Martin, Ante Up by M.O.P. Fe. Busta Rhymes, Tephlon & Remy Ma
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16 | 4:05–4:10 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | ebb9ca38-99ed-4e94-b680-ab280bc0a97b | 4 | 3:52–3:53 | |||||||||||||||||||||||||||||||||
| E |
173313ef-cb38-48bd-a2cc-1d540eabab14
Also linked to
Ante Up (Robbin Hoodz Theory) by M.O.P.
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1 | 3:53 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 6525182d-2e61-48e2-a976-22bd38b849f9 | 1 | 3:51 | |||||||||||||||||||||||||||||||||
| G |
85757253-dbdc-44bb-bc1f-9bbb94221adf
Also linked to
Ante Up (Robbin Hoodz Theory) by M.O.P.
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4 | 3:51–3:53 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | 9c8fa957-3d9e-4854-a1f5-ca96ee576f8d | 3 | 3:43–3:45 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 47b17994-d74e-490b-b313-c185b2ef184e | 1 | 3:34 | |||||||||||||||||||||||||||||||||
| J | 8f9e4835-6d5e-4af6-81e2-77d5e090db5f | 1 | 3:52 | |||||||||||||||||||||||||||||||||
| K | 380660ab-81a4-433b-9a5d-f45a6b234337 | 1 | 3:51 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.50 | 0.00 | 0.47 | 0.44 | 0.42 | 0.52 | 0.80 | 0.00 | 0.00 | 0.54 |
| B | 0.50 | — | 0.00 | 0.00 | 0.37 | 0.31 | 0.62 | 0.55 | 0.00 | 0.00 | 0.39 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.47 | 0.00 | 0.00 | — | 0.21 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 |
| E | 0.44 | 0.37 | 0.00 | 0.21 | — | 0.29 | 0.34 | 0.39 | 0.00 | 0.00 | 0.24 |
| F | 0.42 | 0.31 | 0.00 | 0.00 | 0.29 | — | 0.49 | 0.49 | 0.00 | 0.00 | 0.65 |
| G | 0.52 | 0.62 | 0.00 | 0.00 | 0.34 | 0.49 | — | 0.50 | 0.00 | 0.00 | 0.49 |
| H | 0.80 | 0.55 | 0.00 | 0.49 | 0.39 | 0.49 | 0.50 | — | 0.00 | 0.00 | 0.48 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.54 | 0.39 | 0.00 | 0.00 | 0.24 | 0.65 | 0.49 | 0.48 | 0.00 | 0.00 | — |