open source audio identification
MusicBrainz recording
Home Is Where the Hatred Is
Esther Phillips
3:25
60aa6f2e-33cf-4a13-bce2-5e6a5b28046d
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
206
linking them to it
Fingerprints
29
distinct audio files
Duration
3:10–3:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6b3e21aa-7592-48be-a83c-da1d4e8505fb
Also linked to
Home Is Where the Hatred Is by Esther Phillips, Home Is Where the Hatred Is by Esther Phillips and
|
13 | 3:21–3:27 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ffe3c09e-e2af-4e5b-a353-fa929b36a004
Also linked to
Home Is Where the Hatred Is by Esther Phillips, Home Is Where the Hatred Is by Esther Phillips and
|
10 | 3:22–3:29 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
8a3ccd75-1222-4298-966c-176ba5e9fc17
Also linked to
Home Is Where the Hatred Is by Esther Phillips
|
1 | 3:30 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | ab814298-672c-4219-88dc-da20d67fa581 | 1 | 3:24 | |||||||||||||||||||||||||||||||||||||||||||
| E |
a844d527-ad95-4cec-a5bb-805fbdf34bd5
Also linked to
Home Is Where the Hatred Is by Esther Phillips
|
1 | 3:15 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 9bfb6fb9-89c8-44fe-ae2a-97133b92106e | 1 | 3:40 | |||||||||||||||||||||||||||||||||||||||||||
| G | 5a3faac5-f465-4bc9-bf31-fa5c545b6927 | 1 | 3:28 | |||||||||||||||||||||||||||||||||||||||||||
| H | 7005f780-f30d-466d-91fc-871d15de8eb5 | 1 | 3:10 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.65 | 0.90 | 0.00 | 0.34 | 0.87 | 0.00 | 0.70 |
| B | 0.65 | — | 0.69 | 0.00 | 0.33 | 0.67 | 0.00 | 0.64 |
| C | 0.90 | 0.69 | — | 0.00 | 0.36 | 0.81 | 0.00 | 0.74 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.34 | 0.33 | 0.36 | 0.00 | — | 0.38 | 0.00 | 0.37 |
| F | 0.87 | 0.67 | 0.81 | 0.00 | 0.38 | — | 0.00 | 0.79 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.70 | 0.64 | 0.74 | 0.00 | 0.37 | 0.79 | 0.00 | — |