MusicBrainz recording
Lay Your Hands on Me
Bon Jovi
602c1a03-bbaf-4e26-bf1b-a8e28b8e852c
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
14
linking them to it
Fingerprints
47
distinct audio files
Duration
1:25–21:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
69569254-c0d3-4e03-a586-a2dd7432789d
Also linked to
Lay Your Hands on Me by Bon Jovi, Lay Your Hands on Me by Bon Jovi and
|
27 | 5:54–6:01 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
79c7c0b4-9ec9-426c-ab36-86a6f6be3888
Also linked to
Lay Your Hands on Me by Bon Jovi
|
1 | 2:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 8830cca7-32e2-4dc3-9ea5-f9aa74cb9909 | 2 | 1:25–1:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D | ab1e3fcb-48ef-46ed-9fad-daf458fa2272 | 1 | 3:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 425f975e-4301-40fb-aae4-1a1f69044013 | 1 | 21:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
ade158a2-0d35-49a2-942f-7c7fbb705b18
Also linked to
Lay Your Hands on Me (edit) by Bon Jovi, Lay Your Hands on Me by Bon Jovi and
|
10 | 3:49–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 9c8b7d6a-9f3e-441d-9177-9478930fccbe | 1 | 4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
cd1c4aef-57d1-4a6e-8b23-607d80e1d68b
Also linked to
Lay Your Hands on Me by Bon Jovi, Lay Your Hands on Me by Bon Jovi and
|
3 | 4:27–4:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | a6ab97e1-8121-4c90-b656-fb1a1f0bd633 | 1 | 3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.81 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.81 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.79 | 0.60 | 0.00 | 0.78 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.79 | 0.00 | — | 0.00 | 0.00 | 0.69 |
| G | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 | — | 0.00 | 0.64 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.78 | 0.00 | 0.69 | 0.64 | 0.00 | — |