open source audio identification
MusicBrainz recording
Ça décoiffe
Maître Gims feat. Black M & Jr O Crom
4:37
5fbbfaa7-8b1b-4f21-8882-b835f49e309f
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
186
linking them to it
Fingerprints
51
distinct audio files
Duration
4:05–4:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 630c389a-61e2-435e-8f23-b4c731ff8c17 | 6 | 4:37 | ||||||||||||||||||
| B |
2b2c495a-2ad4-456c-a6ab-6921e65f982a
Also linked to
Meurtre par strangulation by Maître Gims
|
4 | 4:22–4:23 | ||||||||||||||||||
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Recordings linked to B
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| C |
5e32cd89-aa35-49ee-8e1a-966977865fe6
Also linked to
Laisse tomber by Maître Gims feat. Dr. Beriz & Insolent, Laisse tomber by Téléphone
|
3 | 4:23–4:25 | ||||||||||||||||||
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Recordings linked to C
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| D |
798ebeea-eed8-4256-9139-d8dafa90ef9a
Also linked to
You Lose by Maître Gims
|
4 | 4:24 | ||||||||||||||||||
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Recordings linked to D
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| E |
3f730123-e158-416d-84d5-8209195edde5
Also linked to
Warano-Style by Maître Gims, Black Pearl (He’s a Pirate) (radio edit) by Rebel feat. Sidney Housen
|
18 | 4:24–4:27 | ||||||||||||||||||
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Recordings linked to E
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| F |
f347521c-25f1-44b0-ab6b-dd6dc74a9c1a
Also linked to
Où est ton arme by Maître Gims feat. Maska, Il est où? by Saam
|
3 | 4:27 | ||||||||||||||||||
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Recordings linked to F
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| G |
1022acf8-e7a0-4961-95a3-b5e854676131
Also linked to
Outsider by Maître Gims feat. Bedjik, Dadju & X Gangs
|
5 | 4:58–4:59 | ||||||||||||||||||
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Recordings linked to G
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| H |
435e11c9-9757-4382-9a02-7087d7914450
Also linked to
La Chute by Maître Gims
|
6 | 4:05 | ||||||||||||||||||
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Recordings linked to H
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| I | 8cf6f36f-a9e0-4510-b689-1b9a0667cbf1 | 1 | 4:37 | ||||||||||||||||||
| J | c37ed7cc-e9a5-483b-8fcd-11502bba4469 | 1 | 4:37 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.37 | 0.43 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.37 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.74 |
| J | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.74 | — |