open source audio identification
MusicBrainz recording
Jazz (We’ve Got) (re‐recording)
A Tribe Called Quest
4:20
5e9a2c42-9efd-45fb-bc29-821a1d846879
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
289
linking them to it
Fingerprints
62
distinct audio files
Duration
3:38–4:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
de54fb45-c13f-47d0-b902-c05176f9f8a4
Also linked to
Jazz (We’ve Got) (re‐recording radio) by A Tribe Called Quest, Jazz (We’ve Got) by A Tribe Called Quest and
|
17 | 4:18–4:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
896c3536-f94a-475a-a6dc-9e40c9a39671
Also linked to
Jazz (We’ve Got) by A Tribe Called Quest, Jazz (We’ve Got) by A Tribe Called Quest and
|
34 | 4:09–4:14 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 27e974c7-ddab-4e5b-9187-f28619d2fae9 | 1 | 4:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
e4f02e94-8404-4ab3-a4ea-8697664a3ee1
Also linked to
Check the Rhime (Mr. Muhammad’s mix) by A Tribe Called Quest, Check the Rhime by A Tribe Called Quest
|
8 | 3:38–3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | d281920e-d440-4499-9431-56a819b692b4 | 1 | 4:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 47942dd6-281b-4a66-8cd2-6cb5bde64b2b | 1 | 4:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.