open source audio identification
MusicBrainz recording
Peggy Sue Got Married
Buddy Holly
1:50
5e20de97-2e2b-4ee1-83cc-da18becbc5d0
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
88
linking them to it
Fingerprints
34
distinct audio files
Duration
1:43–1:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3954e113-f7bc-4462-8d94-1af5c6ed8f94
Also linked to
Peggy Sue Got Married (undubbed) by Buddy Holly, Peggy Sue Got Married by Buddy Holly and
|
13 | 1:48–1:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
7b9b11c1-2d29-4152-a1f4-1e846be3b1d6
Also linked to
Peggy Sue Got Married by Buddy Holly, Peggy Sue Got Married by Buddy Holly & The Crickets
|
2 | 1:48–1:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
f133d957-95d8-40da-b1bb-f069f340258d
Also linked to
Peggy Sue Got Married by Buddy Holly, Peggy Sue Got Married by Buddy Holly
|
4 | 1:49–1:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
985e54a0-27ae-4f25-9cec-e9b0a853860b
Also linked to
Peggy Sue Got Married by The Crickets, Peggy Sue Got Married by Buddy Holly and
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9 | 1:43–1:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | 4b9ec764-308a-46e8-ad84-b3d466d9cc8a | 1 | 1:49 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
5dcc475b-78c3-408f-a919-69e048a58399
Also linked to
Peggy Sue Got Married by Buddy Holly, Peggy Sue Got Married (take 1) by Buddy Holly and
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5 | 1:47–1:51 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.