open source audio identification
MusicBrainz recording
I’m Gonna Make You Love Me
Diana Ross & The Supremes with The Temptations
3:12
2003 remix, USMO10300723
5d94c8ba-1b6e-4b02-940e-d2fe1e475bd9
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
228
linking them to it
Fingerprints
79
distinct audio files
Duration
3:04–3:14
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
42378e1e-53c7-47cf-aa17-d740c1421896
Also linked to
I’m Gonna Make You Love Me by Diana Ross & The Supremes with The Temptations, I’m Gonna Make You Love Me (alternate mix with spoken intro) by Diana Ross & The Supremes and The Temptations and
|
5 | 3:10–3:14 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
6240689e-c29a-424f-8abd-3f431f98e182
Also linked to
I’m Gonna Make You Love Me by Diana Ross & The Supremes with The Temptations, I’m Gonna Make You Love Me by Diana Ross and
|
67 | 3:04–3:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
aef91e93-da3b-481e-ad59-0e1248da6afc
Also linked to
I’m Gonna Make You Love Me by Diana Ross & The Supremes with The Temptations, I’m Gonna Make You Love Me by Diana Ross
|
5 | 3:05–3:12 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | d29bbf93-ba38-4bfd-a1b4-33df9dcabd7e | 1 | 3:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 270d840d-f2c7-4b24-a64d-1c0161a70655 | 1 | 3:12 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.