open source audio identification
MusicBrainz recording
Oh! Look at Me Now
Frank Sinatra
2:49
1956 original studio master
5d5e06e6-d429-45e8-91a8-4c055da298c2
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
968
linking them to it
Fingerprints
33
distinct audio files
Duration
2:46–3:16
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
cc878624-427b-4b07-80ac-54abfdd2ae73
Also linked to
Oh! Look at Me Now by Frank Sinatra, Oh! Look at Me Now by Frank Sinatra and
|
16 | 2:48–2:53 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
08601b27-4463-4784-a1df-56eb14b9ea6f
Also linked to
Oh! Look At Me Now by Frank Sinatra, Oh! Look at Me Now by Frank Sinatra
|
3 | 2:49–2:52 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
d3404a94-1c13-4666-a031-3447f2ede5d8
Also linked to
Oh! Look at Me Now (November 28, 1956) by Frank Sinatra
|
4 | 2:49–2:53 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
46004e45-3af8-44ef-9b92-f93e41b0a475
Also linked to
Oh! Look at Me Now by Frank Sinatra
|
2 | 2:49–2:53 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 76e088af-6451-4f9c-addf-31e1d734e681 | 1 | 2:52 | |||||||||||||||||||||||
| F | 31f446e9-f38a-46a3-8dc7-e4a0326e07a2 | 1 | 2:50 | |||||||||||||||||||||||
| G |
6063573d-9e2e-480f-8171-c681bd90f884
Also linked to
Oh! Look at Me Now by Frank Sinatra
|
2 | 2:46 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 4bc9a1ec-ab2d-4569-8311-876fdd41e635 | 1 | 2:48 | |||||||||||||||||||||||
| I | 6c2aa2fb-a2b2-4d8e-a3a3-483ff13320ad | 1 | 3:16 | |||||||||||||||||||||||
| J |
8a1e43e3-af90-4904-9bd1-9311749c0f63
Also linked to
Oh! Look at Me Now by Frank Sinatra
|
2 | 2:51–2:52 | |||||||||||||||||||||||
|
Recordings linked to J
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.65 | 0.42 | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 | 0.73 |
| B | 0.00 | — | 0.47 | 0.72 | 0.00 | 0.00 | 0.00 | 0.00 | 0.88 | 0.00 |
| C | 0.65 | 0.47 | — | 0.66 | 0.63 | 0.00 | 0.00 | 0.00 | 0.47 | 0.51 |
| D | 0.42 | 0.72 | 0.66 | — | 0.49 | 0.00 | 0.00 | 0.00 | 0.71 | 0.00 |
| E | 0.52 | 0.00 | 0.63 | 0.49 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.88 | 0.47 | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.73 | 0.00 | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |