MusicBrainz recording
End of the Road
Boyz II Men feat. Brian McKnight
3:57
5d09c7c7-fec5-4c19-b95a-34b01f457401
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
240
linking them to it
Fingerprints
28
distinct audio files
Duration
3:47–5:57
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
52674dba-7238-45a1-a7c8-a2d70c39c8f4
Also linked to
End of the Road by Boyz II Men feat. Brian McKnight, End of the Road by Boyz II Men and
|
3 | 3:56–4:00 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
8652abb4-322f-474f-b035-ed2fe39745aa
Also linked to
End of the Road (radio edit with a cappella end) by Boyz II Men, End of the Road by Boyz II Men and
|
13 | 4:13–4:20 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C | 98e8bf37-9c72-4f9b-8429-b96db10be5fb | 1 | 3:57 | |||||||||||||||||||||||||||||||||||||||||||
| D |
b23d9440-93ef-4bc6-93fc-ebd0922ab927
Also linked to
End of the Road (Pop edit) by Boyz II Men
|
1 | 3:57 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
9ebb4fd4-f855-4b77-84f5-b570107d1454
Also linked to
End of the Road by Boyz II Men, End of the Road by Boyz II Men and
|
7 | 5:50–5:57 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
f2da7784-962b-4cc8-b44a-d231982bbb0f
Also linked to
End of the Road (Pop edit) by Boyz II Men
|
2 | 3:47–3:51 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | c46b534d-2f06-4b83-beba-2818772e3b66 | 1 | 4:10 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.