MusicBrainz recording
Time After Time
Cyndi Lauper
4:01
360 Reality Audio mix
5c41ddbb-bf44-4bf8-9184-c9af19438e53
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
38
linking them to it
Fingerprints
100
distinct audio files
Duration
3:51–4:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e10e97b7-d43e-433e-9a7f-00574270112a
Also linked to
Time After Time by Cyndi Lauper, Time After Time by Cyndi Lauper and
|
27 | 3:59–4:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
55645bab-6f72-40cf-96c2-7d4a19960ee1
Also linked to
Time After Time by Cyndi Lauper, Time After Time by Cyndi Lauper and
|
43 | 3:55–4:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
5a74b55f-b2cf-4d38-a4fa-f68241bbfa11
Also linked to
Time After Time by Cyndi Lauper, Time After Time by Cyndi Lauper
|
4 | 3:59–4:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | c23c9cf7-968e-4e7d-85b2-efd98c3f1734 | 1 | 4:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
65f62b1a-02d5-4e3b-81e2-6577b45e826b
Also linked to
Time After Time by Cyndi Lauper, Time After Time by Cyndi Lauper and
|
25 | 3:51–3:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.