open source audio identification
MusicBrainz recording
Spinning the Wheel
George Michael
6:09
5c0e5f51-dfd1-48bd-ae7d-8d4ccaf8ea11
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,910
linking them to it
Fingerprints
38
distinct audio files
Duration
5:08–6:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
af4072e9-b13c-4621-80f8-04ee560eff9a
Also linked to
Spinning the Wheel by George Michael, Spinning the Wheel by George Michael
|
10 | 6:03–6:09 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
8f7e8c16-6d7b-4005-bd06-c1ca8791b36e
Also linked to
Spinning the Wheel by George Michael
|
2 | 6:11 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
29596787-c149-4f8a-95ae-5727c1afa841
Also linked to
Careless Whisper by George Michael, Careless Whisper by Wham! and
|
4 | 6:09 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
a706e6fb-f0a6-4a9c-945a-b97135972dc1
Also linked to
Spinning the Wheel by George Michael, Spinning the Wheel by George Michael
|
11 | 6:14–6:22 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 044d63b1-77a7-4dec-8396-864ffc576911 | 1 | 5:08 | |||||||||||||||||||||||
| F |
4d642919-5aca-4d9b-b897-da5275990f64
Also linked to
Spinning the Wheel by George Michael
|
1 | 6:09 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | bbe531d0-81f5-4db5-aac0-17f68b77dd7c | 2 | 6:11 | |||||||||||||||||||||||
| H | 74087ba5-de03-4714-a5e0-35bc0b28bf8c | 1 | 6:05 | |||||||||||||||||||||||
| I | 34d32a4f-0594-40ab-acbf-b8eec7e997a6 | 1 | 5:48 | |||||||||||||||||||||||
| J | a388324b-72a5-4786-821f-ea2b061ce1d5 | 2 | 5:26–5:33 | |||||||||||||||||||||||
| K | 7e70da0b-6853-4039-a988-41ef884f49dd | 2 | 5:30–5:32 | |||||||||||||||||||||||
| L | 4e3f2b00-3d66-4016-98ad-95e00b82841c | 1 | 6:08 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.95 | 0.00 | 0.90 | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 | 0.89 | 0.00 | 0.00 |
| B | 0.95 | — | 0.00 | 0.90 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.86 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.48 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.90 | 0.90 | 0.00 | — | 0.83 | 0.00 | 0.00 | 0.43 | 0.00 | 0.82 | 0.00 | 0.00 |
| E | 0.89 | 0.85 | 0.00 | 0.83 | — | 0.00 | 0.00 | 0.49 | 0.00 | 0.97 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.48 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.43 | 0.49 | 0.00 | 0.00 | — | 0.00 | 0.49 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.89 | 0.86 | 0.00 | 0.82 | 0.97 | 0.00 | 0.00 | 0.49 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |