open source audio identification
MusicBrainz recording
How Come You Don’t Call Me (Neptunes remix)
Alicia Keys
4:23
5b4668e4-67c9-4261-82ea-2c052edfef33
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
378
linking them to it
Fingerprints
31
distinct audio files
Duration
3:50–4:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 36bb69bc-11cd-4b0f-9412-c46dd20f522c | 3 | 4:22–4:25 | ||||||||||||||||||||||||||||
| B | 1b80a5db-9909-47a2-9aaf-44dd0b41d639 | 3 | 4:32–4:36 | ||||||||||||||||||||||||||||
| C |
83a7fd07-1c05-402a-96ea-c8a9551293c7
Also linked to
How Come You Don’t Call Me (remix) by Alicia Keys feat. Justin Timberlake
|
2 | 4:16–4:23 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
06aba38f-7446-4190-8ec7-b2291079d364
Also linked to
#1 by Nelly, #1 (album version) by Nelly
|
5 | 4:17–4:24 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
a6a4ff51-cab8-4863-b340-93e2fbbb52e7
Also linked to
How Come You Don’t Call Me by Alicia Keys, How Come You Don't Call Me by Alicia Keys and
|
9 | 3:50–3:57 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | e8db0f03-c4e0-49b1-9c50-47a5840c55a9 | 1 | 4:20 | ||||||||||||||||||||||||||||
| G | d0914ca6-cd2c-483b-ba4f-860f1b8f69d8 | 3 | 4:20–4:22 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 9a68277c-74f1-4ba3-a89a-3d14b58ff8d1 | 1 | 4:23 | ||||||||||||||||||||||||||||
| I | 69dc4305-5802-4e25-a7e5-50a50449df8e | 2 | 4:30–4:36 | ||||||||||||||||||||||||||||
| J | 11eb186f-6f87-4bb7-a781-294995400e30 | 1 | 4:18 | ||||||||||||||||||||||||||||
| K | 6fdfec6d-09cd-4c86-a06e-59eb808b8c4e | 1 | 4:21 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.80 | 0.91 | 0.00 | 0.00 | 0.51 | 0.00 | 0.14 | 0.00 | 0.00 | 0.41 |
| B | 0.80 | — | 0.77 | 0.00 | 0.00 | 0.51 | 0.00 | 0.12 | 0.00 | 0.00 | 0.00 |
| C | 0.91 | 0.77 | — | 0.00 | 0.00 | 0.48 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.92 | 0.00 |
| F | 0.51 | 0.51 | 0.48 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.14 | 0.12 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.92 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.41 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |