MusicBrainz recording
Bills, Bills, Bills
Destiny’s Child
4:00
5b036d5e-70ee-4c1d-b17a-6206ba0dde79
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
97
linking them to it
Fingerprints
45
distinct audio files
Duration
3:49–4:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ddd4fe5c-28a7-48f4-80b6-d2e0ab2246b4
Also linked to
Bills, Bills, Bills (instrumental) by Destiny’s Child, Bills, Bills, Bills (a cappella) by Destiny’s Child
|
4 | 3:59–4:03 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
962d2354-613d-4686-99dd-f6e814a46f65
Also linked to
Bills, Bills, Bills (remix) by Destiny’s Child, Bills, Bills, Bills by Destiny’s Child and
|
3 | 4:01–4:05 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
d5efd176-ce24-4646-b022-67315e527916
Also linked to
Bills, Bills, Bills by Destiny’s Child, Bills, Bills, Bills (instrumental) by Destiny’s Child and
|
32 | 4:10–4:22 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
bc03ebff-f2a5-4ed7-bf25-e970ad6a23f9
Also linked to
Bills, Bills, Bills (radio edit) by Destiny’s Child
|
2 | 4:07 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
90ff90ec-4868-4b46-be62-c01f59b34700
Also linked to
Bills, Bills, Bills (a cappella) by Destiny’s Child, Bills, Bills, Bills by Destiny’s Child
|
2 | 4:02–4:03 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 259bedfa-f765-47ef-ac03-fc77d6233ccd | 1 | 3:49 | |||||||||||||||||||||||||||||||||||||||||||
| G | 8e63d265-acbb-421d-ac4a-a7d07b69bae3 | 1 | 4:02 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.