open source audio identification
MusicBrainz recording
That’s What Friends Are For
Deniece Williams
4:27
5af6ec8f-49af-458c-af9f-e245a55696c2
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
248
linking them to it
Fingerprints
78
distinct audio files
Duration
4:11–5:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
aef3e182-00f0-49a6-a30d-588e99a11b2a
Also linked to
That’s What Friends are For by Deniece Williams, That’s What Friends Are For by Deniece Williams and
|
16 | 4:26–4:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
11ae993f-8cbd-4af9-b248-728268e62281
Also linked to
That’s What Friends Are For by Elton John, Dionne Warwick, Gladys Knight & Stevie Wonder, That’s What Friends Are For by The Staple Singers and
|
27 | 4:11–4:18 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
13c290da-d280-46ad-9c70-6d160ffcb75b
Also linked to
That's What Friends Are For by The Intimate Orchestra
|
4 | 4:27–4:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
23000df6-3ac8-4f1e-9781-a5dde95a47d1
Also linked to
Let’s Hear It for the Boy by Deniece Williams, Let’s Hear It for the Boy (instrumental) by Deniece Williams and
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15 | 4:20–4:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
8b94d8fe-6cd4-4e85-833c-51416cb1e0a7
Also linked to
That’s What Friends Are For by Elton John, Dionne Warwick, Gladys Knight & Stevie Wonder, That's What Friends Are For by Jadranko
|
13 | 4:18–4:25 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
67dc9aab-82b9-485c-83c6-a89d4b38e689
Also linked to
Candle in the Wind by Elton John
|
1 | 4:19 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 07a9d8ce-a834-48fc-ba3e-a8cb4d22ba4f | 1 | 4:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | df386d15-a43d-4067-b280-39e3b959a4eb | 1 | 5:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.82 |
| B | 0.00 | — | 0.00 | 0.00 | 0.90 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.90 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.51 |
| H | 0.82 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 | — |