MusicBrainz recording

To Know You Is to Love You

Peter & Gordon 2:37
5a6986fb-95fd-4302-952b-ab601c5369dd View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
141
linking them to it
Fingerprints
184
distinct audio files
Duration
2:27–2:46
range of submitted files

AcoustIDs

Most submitted first, 3 disabled
Show 3 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 2161dbcd-c9d9-4170-80df-c11e93c10060
Also linked to To Know You Is to Love You by Peter & Gordon, To Know You Is to Love You by Peter & Gordon and
10 2:34–2:40
54
B 2a648178-bc5f-470f-af8f-d778ff89508a
Also linked to To Know You Is to Love You by Peter & Gordon, To Know You Is to Love You by Peter & Gordon
12 2:35–2:39
44
C 508ae848-392a-4ed9-a78b-7ffb69df5766 3 2:36–2:38
15
D a7b46088-58c2-4f7c-8730-a69022f891ac
Also linked to True Love Ways by Peter & Gordon, True Love Ways by Peter & Gordon and
29 2:36–2:40
8
E 1b8a212b-b04c-497b-a574-825f9f551b12
Also linked to A World Without Love by Peter & Gordon, World Without Love (mono) by Peter & Gordon and
79 2:38–2:45
5
F a08d0f3d-992d-4792-8f07-81283724d666 2 2:37
5
G 85cb0061-584a-4b9e-b4d4-86f5b90e2fa7
Also linked to A World Without Love by Peter & Gordon, World Without Love (mono) by Peter & Gordon
12 2:37–2:44
4
H 1b48b3f4-7790-4773-a556-f174b8cea79d
Also linked to Poetry in Motion by Johnny Tillotson, Poetry in Motion by Johnny Tillotson and
8 2:27–2:32
2
I bdc84154-7a3e-40f1-97a6-46dd7ea36653 1 2:36
1
J d8e8db84-7339-4f4f-a282-a49a3b46fa81
Also linked to To Know You Is to Love You by Peter & Gordon
1 2:32
1
K e0bb4667-4443-4178-978a-d73d8069b160
Also linked to A World Without Love by Peter & Gordon, World Without Love (mono) by Peter & Gordon and
26 2:39–2:46
1
L fe61a322-2673-40c8-b145-fafd890ef20b
Also linked to To Know You Is to Love You by Peter & Gordon, To Know You Is to Love You by Perry Como and
1 2:34
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.