MusicBrainz recording
Best Love
Rose Royce
3:53
59fedf0b-9cf2-4b7c-91fb-4b7072198295
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
320
linking them to it
Fingerprints
52
distinct audio files
Duration
3:13–6:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d63784bc-8de7-4bb2-b863-c9e4e6816d81
Also linked to
Best Love by Rose Royce
|
23 | 3:48–3:55 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ec3054e0-120b-4c5b-8300-4d31282fe8c1
Also linked to
Best Love by Rose Royce
|
9 | 3:42–3:48 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C | 37297e8d-c739-4f2e-abb9-e9daa18d70c1 | 4 | 3:55–3:58 | |||||||||||||||||||||||||||||||||||||||||||
| D | a6f1948f-9ee8-4b61-acdb-dd1028ab6cf8 | 1 | 3:57 | |||||||||||||||||||||||||||||||||||||||||||
| E | 58c2a90c-410e-4ccc-8ac3-1b04b27d7b93 | 1 | 6:06 | |||||||||||||||||||||||||||||||||||||||||||
| F | a9b6e515-0d89-4c8c-b73a-9a9988e06d56 | 2 | 3:13 | |||||||||||||||||||||||||||||||||||||||||||
| G |
f13652e9-4efe-45ce-9748-b8fa0cb12991
Also linked to
And the Beat Goes On by The Whispers
|
5 | 3:39–3:46 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
||||||||||||||||||||||||||||||||||||||||||||||
| H |
c1116f3e-bb06-438c-9820-8e208e52b778
Also linked to
Try Jah Love by Third World, Try Jah Love by Third World and
|
2 | 3:53–4:00 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 819e6d0c-3fc7-412f-9637-127daf249220 | 1 | 4:39 | |||||||||||||||||||||||||||||||||||||||||||
| J | 40d71451-5ffb-4e59-bc3b-ebdacb6ec22c | 1 | 3:45 | |||||||||||||||||||||||||||||||||||||||||||
| K | e67831cd-ed7f-41b9-86d7-b2c322e01c4d | 2 | 3:43–3:46 | |||||||||||||||||||||||||||||||||||||||||||
| L | a68b08ee-7d9c-4c83-8b9e-3ee47f36e295 | 1 | 3:16 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.91 | 0.76 | 0.80 | 0.37 | 0.00 | 0.00 | 0.00 | 0.85 | 0.00 | 0.00 | 0.91 |
| B | 0.91 | — | 0.77 | 0.78 | 0.36 | 0.00 | 0.00 | 0.00 | 0.84 | 0.00 | 0.00 | 0.92 |
| C | 0.76 | 0.77 | — | 0.69 | 0.00 | 0.00 | 0.00 | 0.00 | 0.80 | 0.00 | 0.57 | 0.79 |
| D | 0.80 | 0.78 | 0.69 | — | 0.35 | 0.00 | 0.00 | 0.00 | 0.79 | 0.00 | 0.00 | 0.77 |
| E | 0.37 | 0.36 | 0.00 | 0.35 | — | 0.00 | 0.00 | 0.00 | 0.34 | 0.00 | 0.00 | 0.37 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.85 | 0.84 | 0.80 | 0.79 | 0.34 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.90 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.91 | 0.92 | 0.79 | 0.77 | 0.37 | 0.00 | 0.00 | 0.00 | 0.90 | 0.00 | 0.00 | — |