open source audio identification
MusicBrainz recording
Tears Are Falling
KISS
3:55
59f2e6d5-838e-4e0b-82b7-e520fd684497
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,554
linking them to it
Fingerprints
53
distinct audio files
Duration
3:44–4:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a12e37ea-b490-4620-89ca-82500180e583
Also linked to
Beth by KISS with Eric Carr vocal, The Star-Spangled Banner by KISS and
|
21 | 3:51–3:57 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 7c478863-8464-4d77-8b2b-9ac314c3de4e | 1 | 3:51 | |||||||||||||||||||||||||||||||||
| C | 8dbe1b4e-674e-4974-b6a9-27aa0198d061 | 3 | 3:44–3:45 | |||||||||||||||||||||||||||||||||
| D |
e058dd29-3990-4018-9a26-b6881bba3908
Also linked to
I Was Made for Lovin’ You by KISS, I Was Made for Loving You by Mascarade & Norton Miles
|
5 | 4:33–4:36 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
767e2eb1-d959-457b-b4d8-3dbeda6803bf
Also linked to
I Was Made for Lovin’ You by KISS, I Was Made for Lovin’ You by KISS and
|
16 | 4:25–4:32 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 9a4a0e6a-a6e4-45a8-9096-768497fc9b96 | 1 | 4:22 | |||||||||||||||||||||||||||||||||
| G | 26956809-918c-400a-9f6a-463b62743271 | 2 | 3:50–3:56 | |||||||||||||||||||||||||||||||||
| H | 34e1a2ff-2a70-4b4f-8862-5612eb482a81 | 1 | 3:52 | |||||||||||||||||||||||||||||||||
| I | 03810cf3-eba2-425a-a4cf-a3e0da344c13 | 1 | 4:24 | |||||||||||||||||||||||||||||||||
| J | ab30d7ac-7bd1-426b-b327-5de6bb79ba29 | 1 | 3:53 | |||||||||||||||||||||||||||||||||
| K | 6b0125aa-be8b-459d-b85a-3e7c3dfa112b | 1 | 4:03 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.59 | 0.67 | 0.00 | 0.00 | 0.83 | 0.39 | 0.00 | 0.84 | 0.00 | 0.83 |
| B | 0.59 | — | 0.47 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | 0.66 | 0.00 | 0.58 |
| C | 0.67 | 0.47 | — | 0.00 | 0.00 | 0.71 | 0.47 | 0.00 | 0.74 | 0.00 | 0.68 |
| D | 0.00 | 0.00 | 0.00 | — | 0.95 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.95 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.83 | 0.58 | 0.71 | 0.00 | 0.00 | — | 0.38 | 0.00 | 0.80 | 0.00 | 0.86 |
| G | 0.39 | 0.00 | 0.47 | 0.00 | 0.00 | 0.38 | — | 0.00 | 0.41 | 0.00 | 0.40 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.84 | 0.66 | 0.74 | 0.00 | 0.00 | 0.80 | 0.41 | 0.00 | — | 0.00 | 0.84 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.83 | 0.58 | 0.68 | 0.00 | 0.00 | 0.86 | 0.40 | 0.00 | 0.84 | 0.00 | — |