MusicBrainz recording
Let Me Play With Your Poodle
Lightnin’ Hopkins
2:33
1947-08-15
589c8d25-677e-4415-aea0-ecef95e8d3c8
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
227
linking them to it
Fingerprints
26
distinct audio files
Duration
2:30–2:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ec248a44-ea2a-4445-a96d-1972d4959ccf
Also linked to
Let Me Play bWith Your Poodle by Lightnin’ Hopkins, Let Me Play With Your Poodle by Lightnin’ Hopkins and
|
19 | 2:30–2:38 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
5be4010e-3e3a-4129-9cc5-c7196a4d47ac
Also linked to
Down Hearted Blues by Bessie Smith, (Let Me) Play With Your Poodle by Lightnin’ Hopkins and
|
1 | 2:30 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
a1e94157-975b-4369-81a7-77ede103582f
Also linked to
Let Me Play With Your Poodle by Lightnin’ Hopkins
|
1 | 2:38 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D | 74d23f14-2b04-4f43-b482-8d8e8c163d96 | 1 | 2:33 | ||||||||||||||||||||||||||||||||||||||
| E |
b82d4158-fc87-4dfd-9401-bda79d746719
Also linked to
Let Me Play With Your Poodle by Lightnin’ Hopkins
|
1 | 2:34 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||
| F |
a254579b-3a12-4ca3-92fd-33f1dc3521d0
Also linked to
Let Me Play With Your Poodle by The Duke Robillard Band
|
2 | 2:33–2:35 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||||||||||||||||||||||
| G | d28dcc62-9b7a-4e17-bb9b-1d3acbf5d618 | 1 | 2:33 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.