open source audio identification
MusicBrainz recording
Superstition
Stevie Ray Vaughan
4:33
57e8c4b0-048f-40fb-beb4-d8aed3abea2b
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
15
linking them to it
Fingerprints
35
distinct audio files
Duration
4:29–4:46
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
aa93f42a-08f5-4645-9876-3310a714f43a
Also linked to
Superstition by Stevie Ray Vaughan and Double Trouble, Superstition by Stevie Ray Vaughan and Double Trouble and
|
12 | 4:39–4:46 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
df877f39-5011-4da2-a26f-fe5badd53235
Also linked to
Superstition by Stevie Ray Vaughan and Double Trouble, Superstition by Stevie Ray Vaughan and Double Trouble and
|
10 | 4:35–4:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3520e6c3-6401-4790-abbd-a55a5c852ed3
Also linked to
Superstition by Stevie Ray Vaughan and Double Trouble
|
3 | 4:31 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
64c504a2-4941-4fe7-9a60-709d4c256acd
Also linked to
Superstition (live) by Stevie Ray Vaughan and Double Trouble, Superstition by Stevie Ray Vaughan and Double Trouble and
|
8 | 4:29–4:36 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | 1cdfec41-d777-4573-939e-f80732942342 | 2 | 4:32–4:33 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.