MusicBrainz recording
From Me to You Fantasy
Ken Thorne and His Orchestra
2:09
instrumental, stereo
56d05ca9-279f-4174-ab90-7505fa908ecc
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
248
linking them to it
Fingerprints
28
distinct audio files
Duration
2:02–2:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a86cd026-c9ba-4051-a6b6-f95ae6a79876
Also linked to
From Me to You Fantasy by Ken Thorne and His Orchestra, From Me to You Fantasy (instrumental) (stereo) by Ken Thorne and His Orchestra and
|
16 | 2:04–2:10 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||
| B |
db730cfb-0256-4b41-8990-8f08aba7c87e
Also linked to
From Me to You Fantasy by The Beatles, From Me to You Fantasy by Ken Thorne and His Orchestra and
|
3 | 2:06–2:08 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
| C | 664ad4f7-e0e0-48f7-a6dd-4a07d886598e | 1 | 2:02 | ||||||||||||||||||||||||||||
| D | af3c2e5b-b50f-47b1-a10f-b52e023bd9b6 | 1 | 2:06 | ||||||||||||||||||||||||||||
| E | 4fdb2b4f-131a-4a2c-b9d7-843a8e681f13 | 1 | 2:12 | ||||||||||||||||||||||||||||
| F | 057dcf47-7985-48de-b4a1-5ccf9c5c86ce | 2 | 2:08 | ||||||||||||||||||||||||||||
| G | 5f892fd2-35a6-4ed5-99eb-7243efe16749 | 2 | 2:06 | ||||||||||||||||||||||||||||
| H |
513e3b99-0a55-4f3d-abcf-8f9e42dfb286
Also linked to
Please Please Me by The Beatles
|
1 | 2:03 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
|||||||||||||||||||||||||||||||
| I | ec8e9f8d-5d18-489d-9329-113010014fb7 | 1 | 2:09 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.43 | 0.51 | 0.72 | 0.68 | 0.44 | 0.00 | 0.44 |
| B | 0.00 | — | 0.54 | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.43 | 0.54 | — | 0.74 | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.51 | 0.52 | 0.74 | — | 0.45 | 0.36 | 0.00 | 0.00 | 0.00 |
| E | 0.72 | 0.00 | 0.43 | 0.45 | — | 0.56 | 0.39 | 0.00 | 0.44 |
| F | 0.68 | 0.00 | 0.00 | 0.36 | 0.56 | — | 0.49 | 0.00 | 0.47 |
| G | 0.44 | 0.00 | 0.00 | 0.00 | 0.39 | 0.49 | — | 0.00 | 0.74 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.44 | 0.00 | 0.00 | 0.00 | 0.44 | 0.47 | 0.74 | 0.00 | — |