MusicBrainz recording
Whenever I Call You Friend
Kenny Loggins & Stevie Nicks
3:50
54f41ece-bbe5-45c6-b9df-7a99a343aca2
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
191
linking them to it
Fingerprints
82
distinct audio files
Duration
3:46–4:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fbc37d1a-917d-4275-8e65-6c357452a901
Also linked to
Whenever I Call You “Friend” by Kenny Loggins feat. Stevie Nicks, Whenever I Call You “Friend” by Kenny Loggins & Stevie Nicks
|
5 | 3:50–3:54 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
8d5ed9e1-0453-4fd6-a478-140f2a07bed0
Also linked to
Whenever I Call You “Friend” by Kenny Loggins feat. Stevie Nicks
|
2 | 3:52–3:53 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
dc9456b1-1b0e-45e3-bf95-7acf277e795a
Also linked to
Whenever I Call You “Friend” by Kenny Loggins feat. Stevie Nicks, Whenever You Need Somebody by Rick Astley
|
14 | 3:55–4:02 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
01d83e90-33a7-4a52-90f6-cbc13edad0c2
Also linked to
Whenever I Call You “Friend” by Kenny Loggins feat. Stevie Nicks, Suzy & Jeffrey by Blondie
|
5 | 4:00–4:03 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
13031095-bbfe-4d60-a76e-4ff63366e70a
Also linked to
Just the Two of Us by Grover Washington, Jr. & Bill Withers, Just the Two of Us by Grover Washington, Jr. & Bill Withers and
|
48 | 3:55–4:03 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 6bbe218e-fc43-4772-b29b-321c569161b3 | 1 | 3:46 | |||||||||||||||||||||||
| G |
a49dd7d5-662a-460c-bf6f-65deea776796
Also linked to
Whenever I Call You “Friend” by Kenny Loggins feat. Stevie Nicks
|
7 | 3:57–4:01 | |||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.