open source audio identification
MusicBrainz recording
Walking on the Moon
The Police
5:02
5.1 mix
54eadb0b-ea41-4618-9a0c-6d6b4b6487f3
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
80
linking them to it
Fingerprints
71
distinct audio files
Duration
4:56–5:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fd37d7e0-5d85-4007-b352-0a9759d2e8dd
Also linked to
Walking on the Moon by The Police
|
4 | 5:02–5:03 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
56c5924d-d462-4d68-b7f3-9d78b86c96c0
Also linked to
Walking on the Moon by The Police, Walking on the Moon by The Police and
|
39 | 4:56–5:03 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
fc29b478-ece0-4404-bfc0-4c06723f6356
Also linked to
Walking on the Moon by The Police
|
4 | 5:00–5:03 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
9c58710b-916e-489f-b77a-e3b8c70f1b00
Also linked to
Walking on the Moon by The Police, Walking on the Moon by The Police and
|
24 | 4:58–5:05 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.