MusicBrainz recording
One After 909 (take 2: 1963-03-05)
The Beatles
2:57
54e150d1-063d-473a-a37f-fa06dc7252d5
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
178
linking them to it
Fingerprints
21
distinct audio files
Duration
2:51–3:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
bbeb0cde-22c5-4714-a804-7174fb70d214
Also linked to
One After 909 (take 2) by The Beatles, One After 909 by The Beatles and
|
9 | 2:53–2:57 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
9a5f3baa-b95b-48c3-99ec-fe7d8bd092f1
Also linked to
One After 909 by The Beatles
|
3 | 2:51–2:54 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
05a6393d-5309-4daf-a352-73b586db26da
Also linked to
One After 909 30.08-09-17 by The Beatles, One After 909 (1969 Glyn Johns mix) by The Beatles
|
1 | 3:04 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 7ebfb766-70a6-441e-818b-56773bf610fb | 1 | 2:54 | ||||||||||||||||||||||||||||||||||||||
| E |
7b8ee96e-3172-49b6-980e-7548dcc9aa22
Also linked to
One After 909 by The Beatles
|
3 | 2:51–2:56 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
af4d6816-d9dd-428f-843f-0b0335dc6f3a
Also linked to
One After 909 6.31 by The Beatles, For No One (take 1 breakdown and take 2 incomplete) by The Beatles
|
2 | 2:52–2:58 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
775d2e6f-ebf5-4879-9f98-efb54e34b700
Also linked to
One After 909 (take 2) by The Beatles
|
2 | 3:03–3:08 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.