open source audio identification
MusicBrainz recording
Reason to Believe
Rod Stewart
3:47
early fade
545b0ab2-1742-42d6-9f45-c4e3012f2402
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
150
linking them to it
Fingerprints
50
distinct audio files
Duration
3:00–4:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3a44bf62-b6e4-4291-a07b-5c099e2f917f
Also linked to
Reason to Believe by Rod Stewart with Ronnie Wood, (Find a) Reason to Believe by Rod Stewart and
|
10 | 3:45–3:52 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 6a57b66a-34ce-4cea-83c5-7f829f2d4e57 | 1 | 3:45 | |||||||||||||||||||||||||||||||||
| C | 0cb5e202-9d20-4eb1-aae5-af26b175a553 | 1 | 3:44 | |||||||||||||||||||||||||||||||||
| D |
565c4842-3a77-46b7-b7a4-4abe5a48886d
Also linked to
Reason to Believe by Rod Stewart with Ronnie Wood
|
3 | 3:36–3:41 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
813ce40d-e6fc-44d2-8873-fd6dd8e7c874
Also linked to
Reason to Believe by Rod Stewart, Reason to Believe by Rod Stewart and
|
23 | 4:03–4:10 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 1f7d5bee-9390-4cda-99ff-f6ac8378877c | 1 | 3:00 | |||||||||||||||||||||||||||||||||
| G |
500cb89b-cd5d-4a77-9196-11fe76b098d8
Also linked to
Reason to Believe by Rod Stewart with Ronnie Wood, Reason to Believe by Rod Stewart and
|
5 | 3:44–3:50 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
72c40aa8-72fb-4c7f-8c36-4834efd8a70a
Also linked to
Reason to Believe by Rod Stewart with Ronnie Wood, Reason to Believe by Rod Stewart and
|
6 | 3:53–3:56 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.37 | 0.39 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.89 | 0.92 |
| E | 0.37 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.89 | 0.00 | 0.00 | — | 0.92 |
| H | 0.00 | 0.00 | 0.00 | 0.92 | 0.00 | 0.00 | 0.92 | — |