MusicBrainz recording
Fooling Yourself (The Angry Young Man)
Styx
5:11
edit
52812a3b-438d-4c5e-83c1-3aa3bf53a4e8
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
487
linking them to it
Fingerprints
86
distinct audio files
Duration
4:48–7:21
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5dcd2d6f-bbd1-426e-ab41-972af842a838
Also linked to
Fooling Yourself (The Angry Young Man) by Styx, Fooling Yourself (The Angry Young Man) by Styx
|
8 | 5:05–5:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
4f497585-6449-417e-920c-5c40459f0d82
Also linked to
Riders on the Storm by The Doors, Riders on the Storm by The Doors and
|
18 | 7:14–7:21 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
bb7b8c65-e0fe-48bc-a0c5-1396b9aeee30
Also linked to
Don’t Let It End by Styx, Snowblind by Styx and
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16 | 4:48–4:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
66a69ee6-0241-4882-96c3-d3dc1c8ae45b
Also linked to
Fooling Yourself (The Angry Young Man) by Styx
|
1 | 5:14 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
1b468b48-15ef-42d4-af35-90ade9db7426
Also linked to
Fooling Yourself (The Angry Young Man) by Styx, Love’s the Only House by Martina McBride and
|
21 | 5:25–5:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
051b227a-4562-46b3-af74-b15d6d286fde
Also linked to
Don’t Let It End by Styx, Don't Let It End by Bobby Gordon
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20 | 4:56–5:03 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 3dafb33a-59ab-447d-be30-5d0e5479b689 | 2 | 5:13–5:20 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.