open source audio identification
MusicBrainz recording
My Heart Beat Like a Hammer
Fleetwood Mac
3:00
4ea5c004-ae90-498d-9ae3-eaeae6a8dc03
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
553
linking them to it
Fingerprints
67
distinct audio files
Duration
2:44–3:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ca658d4e-0372-4d76-aaf9-46ce7b341f58
Also linked to
My Heart Beat Like a Hammer by Fleetwood Mac, My Heart Beats Like a Hammer by Fleetwood Mac
|
14 | 2:56–3:01 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | bdcf44a2-a50a-41eb-bc5c-365f0fccdeec | 7 | 2:56–2:59 | ||||||||||||||||||||||||||||||||||||||
| C |
eede9ab2-8e98-4acc-9093-c02e04437a49
Also linked to
Monday Morning by Fleetwood Mac, Monday Morning by Fleetwood Mac and
|
35 | 2:44–2:49 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 3b064cfd-6704-4e2e-b899-621c0f7722bc | 2 | 3:01–3:03 | ||||||||||||||||||||||||||||||||||||||
| E | aad34b89-e332-48bc-bfaf-906f08770ffb | 1 | 3:03 | ||||||||||||||||||||||||||||||||||||||
| F | 7905e528-b1d8-4315-ab8a-8758f5ad8d06 | 1 | 3:00 | ||||||||||||||||||||||||||||||||||||||
| G | 5fdc4c4c-e8cf-4211-969b-1e29bd4f3c4e | 1 | 2:57 | ||||||||||||||||||||||||||||||||||||||
| H |
aa79c9cb-ef3f-4682-b8b8-1bbfbfc08d6a
Also linked to
Monday Morning by Fleetwood Mac, Monday Morning by Fleetwood Mac and
|
4 | 2:48–2:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 4787f4a9-5dcc-437a-87e1-cad598be49ea | 1 | 2:58 | ||||||||||||||||||||||||||||||||||||||
| J | d0fa0cb6-70c1-4836-b23b-940b3b118951 | 1 | 2:53 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.62 | 0.57 | 0.00 | 0.00 | 0.00 | 0.48 | 0.48 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.52 | 0.00 | 0.00 |
| D | 0.62 | 0.00 | 0.00 | — | 0.41 | 0.00 | 0.00 | 0.00 | 0.00 | 0.63 |
| E | 0.57 | 0.00 | 0.00 | 0.41 | — | 0.00 | 0.00 | 0.00 | 0.73 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.48 | 0.00 | 0.00 | 0.00 | 0.73 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.48 | 0.00 | 0.00 | 0.63 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |