open source audio identification
MusicBrainz recording
Sunshine on My Shoulders
John Denver
4:52
4e4448a6-d079-4e6e-ad6e-962a9c3a405d
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
403
linking them to it
Fingerprints
27
distinct audio files
Duration
3:18–5:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
93ad9a2e-1d89-43c0-8b26-32ea2ab5d88e
Also linked to
Sunshine on My Shoulders by John Denver, Sunshine on My Shoulders by John Denver
|
2 | 4:51–4:55 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
c186fe57-cc0d-48fa-b0d8-3c78916fe9e2
Also linked to
Sunshine on My Shoulders (rerecorded) by John Denver, Sunshine on My Shoulders by John Denver and
|
1 | 4:59 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
931f148d-bbe5-4419-b523-6fd229a8baad
Also linked to
Sunshine on My Shoulders by John Denver
|
1 | 4:46 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | cf04e3a5-7b05-4628-93ca-4362e7c862e7 | 1 | 4:57 | |||||||||||||||||||||||||||||||||
| E |
362434b5-bacb-4f33-98bb-aef1798c009b
Also linked to
Sunshine on My Shoulders by John Denver
|
7 | 4:54–4:59 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
833b41cd-c7ab-4260-be7c-191a34ad6586
Also linked to
My Sweet Lady by John Denver, My Sweet Lady by John Denver and
|
8 | 4:47–4:52 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
61b448fd-b21e-4f53-9532-d01b578290ac
Also linked to
Welcome to My Morning (Farewell Andromeda) by John Denver, Perhaps Love by John Denver and
|
6 | 3:18–3:21 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | a98cbae4-cb82-4751-8d96-c075c6f4a982 | 1 | 5:08 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.87 | 0.95 | 0.00 | 0.00 | 0.00 | 0.00 | 0.89 |
| B | 0.87 | — | 0.91 | 0.00 | 0.00 | 0.00 | 0.00 | 0.96 |
| C | 0.95 | 0.91 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.94 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.89 | 0.96 | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | — |