open source audio identification
MusicBrainz recording
Dance With Me
Debelah Morgan
3:41
4e38cc50-1fc9-4583-b217-ed71a9130d8b
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
913
linking them to it
Fingerprints
71
distinct audio files
Duration
3:30–6:11
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
50e6d39a-b6c5-45a1-bc1a-1e8b339767b5
Also linked to
Dance With Me by Debelah Morgan
|
25 | 3:38–3:46 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
cb06a5ac-81fc-407b-b02a-715b7fd1e923
Also linked to
Dance With Me by Sonia Saigal, Dance With Me by Nouvelle Vague
|
1 | 3:38 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
7afd9e3b-5d68-4d82-a0d0-f714a8b79cb0
Also linked to
I Think I’m in Love With You (radio version) by Jessica Simpson, Dance With Me by Saint feat. M.D.P.
|
7 | 3:30–3:34 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
1113de07-071a-4d70-adc7-6e162444cff3
Also linked to
Dance With Me (Jack & Jill edit) by Debelah Morgan
|
2 | 3:41–3:42 | ||||||||||||||||||
|
Recordings linked to D
|
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| E | e1c1094a-f606-4511-aec6-c99c876af5c7 | 1 | 3:38 | ||||||||||||||||||
| F | b604d06b-7da2-4df4-9e29-613841372b0b | 1 | 3:44 | ||||||||||||||||||
| G | bab27acd-48e8-4acb-a3cd-5c13c3b5de65 | 1 | 3:40 | ||||||||||||||||||
| H | 52ce2a95-10e0-49c1-96ee-93865c710796 | 14 | 3:47–3:50 | ||||||||||||||||||
|
Recordings linked to H
|
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| I | 3bc078f1-c4e5-447e-b91a-10b949fe5ef0 | 1 | 6:11 | ||||||||||||||||||
| J |
79ea529a-1e0f-48a0-9290-ec3c2024bd88
Also linked to
Dance With Me by Destiny’s Child, Independent Women, Part II by Destiny’s Child
|
14 | 3:41–3:46 | ||||||||||||||||||
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Recordings linked to J
|
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| K |
cf815286-a3f3-47c9-861a-b33f17786631
Also linked to
Dance with Me (Cha Cha, 30mpm) by Debelah Morgan
|
1 | 3:34 | ||||||||||||||||||
|
Recordings linked to K
|
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| L | 48e5ac03-528d-4381-84eb-2492fabd5a14 | 3 | 3:48 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.96 | 0.91 | 0.00 | 0.77 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.96 | — | 0.94 | 0.00 | 0.78 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.91 | 0.94 | — | 0.00 | 0.78 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.77 | 0.78 | 0.78 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |