open source audio identification
MusicBrainz recording
All I Really Want to Do
Bob Dylan
3:31
4e158eb6-94a1-4cc7-8728-84ca7fbcc7ba
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
45
linking them to it
Fingerprints
20
distinct audio files
Duration
2:43–6:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3587afe3-c837-479c-8833-c32baed18ade
Also linked to
All I Really Want To Do by Bob Dylan, To Ramona by Bob Dylan and
|
4 | 3:24–3:25 | |||||||||||||||||||||||
|
Recordings linked to A
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| B |
98c2fa76-f814-472b-9592-32275298f40a
Also linked to
All I Really Want to Do by Bob Dylan, All I Really Want to Do by Bob Dylan
|
2 | 2:43–2:45 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | a35ff0be-1384-47d2-bdf9-eae10dfbf0af | 2 | 3:21–3:22 | |||||||||||||||||||||||
| D |
e6f945d9-2d2a-43b7-8281-bd1d38620f79
Also linked to
All I Really Want to Do by Bob Dylan, All I Really Want to Do by Bob Dylan
|
2 | 2:44 | |||||||||||||||||||||||
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Recordings linked to D
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| E | 519356d9-d47c-4238-bc6b-ac41fe883077 | 1 | 4:10 | |||||||||||||||||||||||
| F | 8c1b2397-c309-4d72-9464-550ab573a2b7 | 2 | 6:01 | |||||||||||||||||||||||
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Recordings linked to F
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| G | 6efd5a67-5991-4958-81e1-da55b3a08fa8 | 1 | 6:22 | |||||||||||||||||||||||
|
Recordings linked to G
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| H |
1933ec3c-fd15-473b-b019-0f4111dd9b5f
Also linked to
All I Really Want To Do by Bob Dylan, All I Really Want to Do (live) by Bob Dylan and
|
3 | 3:13–3:15 | |||||||||||||||||||||||
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Recordings linked to H
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| I | 3f94fc41-2682-42d2-b98f-fa754e27dc45 | 1 | 3:19 | |||||||||||||||||||||||
| J | d5ec985b-6295-48fb-a229-f08063d8a7a5 | 2 | 3:30–3:31 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |