MusicBrainz recording
You’re All Around Me
Percy Sledge
3:02
4df818d8-a477-40cc-8bb3-b45e1f392dec
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
33
linking them to it
Fingerprints
30
distinct audio files
Duration
2:45–3:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
800340a2-934a-4898-a2c9-0a0d03e9c96c
Also linked to
You're All Around Me by Percy Sledge, You’re All Around Me by Percy Sledge and
|
7 | 2:59–3:04 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
fb1a3926-53eb-41c9-9468-4ce3d6f6dd38
Also linked to
You’re All Around Me by Percy Sledge
|
3 | 2:56–3:01 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
96c70a5c-649d-4c5c-9462-ae6d6949c7f8
Also linked to
You’re All Around Me by Percy Sledge, You’re All Around Me by Percy Sledge and
|
4 | 2:53–2:57 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 0794fbef-f465-4051-8ca0-97f4f570154e | 1 | 2:53 | ||||||||||||||||||||||||||||||||||||||
| E |
f42da12d-bd05-4c7b-8c8f-e045289a2779
Also linked to
I’ve Been Loving You Too Long (re‐recording) by Percy Sledge, I've Been Loving You Too Long by Percy Sledge and
|
6 | 2:51–2:56 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
d980c569-ae4a-4557-98b9-69be3ea085f0
Also linked to
You’re All Around Me by Percy Sledge, You’re All Around Me by Percy Sledge and
|
8 | 2:45–2:50 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | 9d2ccd74-f8d1-4ba6-9360-aaf0ecab1cd5 | 1 | 3:02 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.