open source audio identification
MusicBrainz recording
Bless the Beasts and Children
Carpenters
3:16
1985 remix: stereo piano added, bass and drums enhanced, track ends cold instead of fade-out, intake breaths audible on “the children” as the song ends
4df2d3b2-3acd-46f7-906d-4665a6a54951
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
476
linking them to it
Fingerprints
58
distinct audio files
Duration
3:13–3:21
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
df63d3b3-30e6-491b-9ba1-87d938b83f3f
Also linked to
Bless the Beasts and Children by Carpenters, Bless the Beasts and Children by Carpenters and
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16 | 3:13–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
e081fe4c-a7fd-4a4b-9f77-a4a7595c5305
Also linked to
Sing by Carpenters, Bless the Beasts and Children by Carpenters and
|
34 | 3:14–3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C | c3793127-9b0a-4bb9-aca3-ad5242ed2ff6 | 1 | 3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
21505f12-6bbb-428e-9e7a-efe7a4cf9a05
Also linked to
Bless the Beasts and Children by Carpenters, Bless the Beasts and Children by Carpenters and
|
3 | 3:14–3:15 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
3bfa86f4-0d58-4a99-acfc-db4bb31dfc65
Also linked to
Bless the Beasts and Children by Carpenters, Bless the Beasts and Children (5.1 mix) by Carpenters
|
1 | 3:16 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | ee098c39-ede6-484b-80e3-6aee75dfa28d | 3 | 3:16 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.