open source audio identification
MusicBrainz recording
Hell Ain’t a Bad Place to Be
AC/DC
4:28
live, 2009-12-04: River Plate Stadium, Buenos Aires, Argentina
4c013a4b-bdd3-4403-91be-da0fb4ec8240
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
479
linking them to it
Fingerprints
19
distinct audio files
Duration
4:14–4:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
49105cf7-ba9c-4eb9-a872-4e3c79145599
Also linked to
Hell Ain't a Bad Place to Be by AC/DC, Hell Ain’t a Bad Place to Be by AC/DC and
|
3 | 4:27–4:28 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 4852a695-70d8-4e96-8f19-48f3cf44f868 | 1 | 4:34 | |||||||||||||||||||||||
| C |
5fd26ab8-5082-4079-b20d-bf3cbaccedfd
Also linked to
Hell Ain't a Bad Place to Be by AC/DC, Hell Ain't a Bad Place to Be by AC/DC
|
1 | 4:44 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 9925d4b6-7029-4dbd-83e6-73fc0af4cf2f | 1 | 4:16 | |||||||||||||||||||||||
| E |
921ee2a5-f573-490c-9d9d-9de938ce401c
Also linked to
Hell Ain't a Bad Place to Be by AC/DC, Hell Ain’t a Bad Place to Be by AC/DC and
|
1 | 4:48 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | d1fe7fe0-b935-4adb-8a51-baa054ea2a68 | 1 | 4:28 | |||||||||||||||||||||||
| G | 108b6a2d-246a-47f8-ba72-9a41865b252b | 1 | 4:27 | |||||||||||||||||||||||
| H | affd7c87-f1ba-4daf-a6ad-d3c466792072 | 1 | 4:16 | |||||||||||||||||||||||
| I | 63d85ff5-9b5f-4297-ba5c-ebfe37145373 | 1 | 4:35 | |||||||||||||||||||||||
| J |
98c5430d-aaa8-45f6-a8e8-31bbc95d5439
Also linked to
Hell Ain't a Bad Place to Be by AC/DC, Hell Ain’t a Bad Place to Be by AC/DC
|
3 | 4:14–4:16 | |||||||||||||||||||||||
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Recordings linked to J
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| K |
1fa12e8c-cff2-4ab1-bab0-f96be502926c
Also linked to
Hell Ain’t a Bad Place to Be by AC/DC, Hell Ain’t a Bad Place to Be by AC/DC
|
5 | 4:29–4:30 | |||||||||||||||||||||||
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Recordings linked to K
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.86 | 0.67 | 0.00 |
| B | 0.62 | — | 0.00 | 0.00 | 0.00 | 0.48 | 0.00 | 0.00 | 0.65 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.36 | 0.00 | 0.00 | 0.00 | 0.45 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.48 | 0.00 | 0.36 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.86 | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.63 | 0.00 |
| J | 0.67 | 0.00 | 0.00 | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 | 0.63 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |