open source audio identification
MusicBrainz recording
Duppy Conqueror
Bob Marley & The Wailers
3:36
4bf1394e-5123-4e3f-82ca-cdc55611fe32
View on MusicBrainz →
AcoustIDs
3
linked to this recording
Submissions
35
linking them to it
Fingerprints
55
distinct audio files
Duration
3:29–3:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1af66c51-e6af-47ac-ad25-40ee27714ffb
Also linked to
Duppy Conqueror by Bob Marley & The Wailers, Duppy Conqueror by The Wailers and
|
21 | 3:38–3:45 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
fb809c2c-39ac-4400-9ac1-bcc09bafced8
Also linked to
Duppy Conqueror by Bob Marley & The Wailers, Duppy Conqueror (alternate take) by Bob Marley and The Wailers and
|
15 | 3:43–3:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
f8f9a708-fb8d-47ee-9bf8-02a38f8ee812
Also linked to
Duppy Conqueror by Bob Marley & The Wailers, Duppy Conqueror by Bob Marley & The Wailers and
|
19 | 3:29–3:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.