open source audio identification
MusicBrainz recording
Just Be Good to Green
Professor Green feat. Lily Allen
3:24
4b8bc427-3dfd-4061-9ea6-96ccc5de82b2
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
212
linking them to it
Fingerprints
23
distinct audio files
Duration
3:01–3:58
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a8ede012-d0a0-4963-91e7-7981ebf32a87
Also linked to
Just Be Good to Green by Professor Green feat. Lily Allen, Just Be Good to Green (instrumental) by Professor Green
|
6 | 3:22–3:27 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
accbdd71-53be-4daf-8385-ed6c3ff0cbd8
Also linked to
Just Be Good to Green (instrumental) by Professor Green, Just Be Good to Green by Professor Green feat. Lily Allen
|
1 | 3:24 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
e63f0c2b-3d29-476a-9488-dde458ff4822
Also linked to
Just Be Good to Green by Professor Green feat. Lily Allen, Don’t Want You Back by Bakermat feat. Kiesza and
|
4 | 3:10–3:12 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 00226b5c-0ec0-4c14-a659-00717e211ac3 | 2 | 3:31–3:32 | |||||||||||||||||||||||
| E |
3882b21c-49f7-4ff3-9008-36a7e3481483
Also linked to
Just Be Good to Green by Professor Green feat. Lily Allen
|
3 | 3:01–3:05 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 14f85317-4908-4743-bd16-8e29290b407d | 1 | 3:23 | |||||||||||||||||||||||
| G | 86c55a87-0cbe-4bfb-9412-408ea6d12b7c | 1 | 3:58 | |||||||||||||||||||||||
| H |
5017ac23-67f9-4996-835b-2f1f0639af0c
Also linked to
Just Be Good to Green (Wideboys Stadium edit) by Professor Green feat. Lily Allen, Just Be Good to Green by Professor Green
|
5 | 3:16–3:23 | |||||||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.43 | 0.43 | 0.85 | 0.82 | 0.00 | 0.87 | 0.00 |
| B | 0.43 | — | 0.77 | 0.44 | 0.35 | 0.00 | 0.44 | 0.00 |
| C | 0.43 | 0.77 | — | 0.37 | 0.33 | 0.00 | 0.37 | 0.00 |
| D | 0.85 | 0.44 | 0.37 | — | 0.86 | 0.00 | 0.98 | 0.00 |
| E | 0.82 | 0.35 | 0.33 | 0.86 | — | 0.00 | 0.85 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.87 | 0.44 | 0.37 | 0.98 | 0.85 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |