open source audio identification
MusicBrainz recording
Work It Out (new radio edit)
Beyoncé
3:43
4a392a18-3777-4569-80db-cd1a9700b6bb
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
81
linking them to it
Fingerprints
23
distinct audio files
Duration
3:36–4:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8fd344db-6b62-45fc-8ff7-873749b15591
Also linked to
That’s How You Like It by Beyoncé feat. Jay‐Z, That’s How You Like It by Beyoncé feat. Jay‐Z and
|
3 | 3:38–3:43 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
32ec1e9f-a46d-4e66-8bd5-ee28f7c487db
Also linked to
It Is a Sin (album version) by Deepest Blue, Pump It Up! (radio edit) by Danzel
|
1 | 3:36 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
08d93ae2-e7b2-4796-8def-78f45309c03f
Also linked to
Work It Out by Beyoncé
|
1 | 3:48 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
543d1b7f-611c-43bc-b155-de3870662e10
Also linked to
Single Ladies (Dave Aude Radio Edit) by Beyoncé, Ave Maria by Beyoncé and
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10 | 3:43–3:49 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | 050973d7-bbf8-4136-a2de-97662a9ad5f9 | 1 | 3:46 | ||||||||||||||||||||||||||||||||||||||
| F | 495acf4f-4d78-4d67-9a2d-baa1864da726 | 2 | 3:45–3:52 | ||||||||||||||||||||||||||||||||||||||
| G |
8557ea48-8de4-4f28-b7b0-360c59e00ee2
Also linked to
Work It Out by Beyoncé
|
1 | 4:00 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | 1ff09067-0ae5-4e42-9cd4-d8707c5311cf | 3 | 3:43–3:46 | ||||||||||||||||||||||||||||||||||||||
| I | dde8b055-0f3c-45f3-9289-258c4e5ae594 | 1 | 3:46 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.89 | 0.00 | 0.00 | 0.00 | 0.96 | 0.71 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.89 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.86 | 0.68 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.66 | 0.00 | 0.00 | 0.45 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.66 | 0.00 | — | 0.00 | 0.00 | 0.41 |
| G | 0.96 | 0.00 | 0.86 | 0.00 | 0.00 | 0.00 | — | 0.71 | 0.00 |
| H | 0.71 | 0.00 | 0.68 | 0.00 | 0.00 | 0.00 | 0.71 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.45 | 0.00 | 0.41 | 0.00 | 0.00 | — |