open source audio identification
MusicBrainz recording
Hard as a Rock
AC/DC
4:49
live, 1996-07-10: Plaza de toros de Las Ventas, Madrid, Spain
497f027f-c48e-4ca9-a2f4-6eee9e550d67
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
71
linking them to it
Fingerprints
34
distinct audio files
Duration
3:58–4:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ea156cff-ddd5-487a-bf9c-b3e3bb3bcf7d
Also linked to
Hard as a Rock (live) by AC/DC, Hard as a Rock (live) by AC/DC and
|
6 | 4:44–4:50 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ab6e31b4-3e9d-46b1-9d1f-515c388dac9f
Also linked to
Hard as a Rock (live) by AC/DC, Hard as a Rock (live) by AC/DC and
|
2 | 4:52–4:53 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
2f743245-e566-4c0e-aa4a-34b699d71042
Also linked to
Hard as a Rock (live) by AC/DC
|
2 | 4:46–4:48 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 4b508754-e152-420c-a03a-cb754ca616cc | 1 | 4:39 | |||||||||||||||||||||||||||||||||||||||||||
| E |
431f7c7f-c4ed-4a6d-af36-ed83ef974e20
Also linked to
Can’t Stop Rock ’n’ Roll by AC/DC, Back in Black by AC/DC and
|
2 | 4:01–4:02 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
60ed2690-f84d-42ab-88c5-9d7804cb9279
Also linked to
Hold Me Back by AC/DC, You Shook Me All Night Long by AC/DC and
|
16 | 3:58–4:02 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 1b874cb7-8656-45e5-a265-b151a6f4f675 | 1 | 4:26 | |||||||||||||||||||||||||||||||||||||||||||
| H | f08ae852-fdc3-46b9-8c94-3adb0567d553 | 1 | 4:38 | |||||||||||||||||||||||||||||||||||||||||||
| I | b0bb09a8-9678-4d13-a128-8d5398f288d3 | 3 | 4:45–4:47 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 1.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.89 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 | — |