MusicBrainz recording
Blue on Blue
Bobby Vinton
2:25
49781cfa-29e7-412e-b2b8-991a71c39b39
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
185
linking them to it
Fingerprints
50
distinct audio files
Duration
2:18–4:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ef9cce45-02e6-41d0-b078-24a3ffa6c69b
Also linked to
Blue on Blue by Bobby Vinton, Blue On Blue by Bobby Vinton and
|
22 | 2:20–2:27 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | a7202458-ef6a-431b-b62f-acfe1e331a31 | 4 | 2:20–2:26 | |||||||||||||||||||||||||||||||||||||||||||
| C |
bc9e102b-69f5-44ed-a83a-eb59ba214f51
Also linked to
Blue on Blue by Bobby Vinton, Blue on Blue by Bobby Vinton and
|
14 | 2:29–2:33 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | fb5f81b5-601d-4761-bbf4-8bdcd376a9d3 | 1 | 2:18 | |||||||||||||||||||||||||||||||||||||||||||
| E |
b285299c-0fd7-4fef-bc69-fa4e2c0d2140
Also linked to
Blue on Blue by Bobby Vinton
|
1 | 2:28 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
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| F |
bce62722-dfe3-4b6b-a088-7ba8d2fb3690
Also linked to
Blue On Blue by Bobby Vinton, Blue on Blue by Bobby Vinton and
|
2 | 3:08–3:11 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | 75e08cc7-deab-4d1d-aece-c7313fd0d7fb | 1 | 2:45 | |||||||||||||||||||||||||||||||||||||||||||
| H | ffbcce6c-6020-4e2a-9cbf-7a62ed3c09d3 | 1 | 2:19 | |||||||||||||||||||||||||||||||||||||||||||
| I |
acf7bd73-5fff-48fd-b935-3dfdbb1599f5
Also linked to
Blue Velvet by Bobby Vinton, Blue Velvet by Bobby Vinton and
|
4 | 4:26–4:28 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.63 | 0.71 | 0.00 | 0.49 | 0.00 | 0.97 | 0.00 | 0.00 |
| B | 0.63 | — | 0.57 | 0.00 | 0.00 | 0.00 | 0.68 | 0.00 | 0.00 |
| C | 0.71 | 0.57 | — | 0.00 | 0.00 | 0.00 | 0.72 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.49 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.48 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.97 | 0.68 | 0.72 | 0.00 | 0.48 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |