open source audio identification
MusicBrainz recording
Track 01
Ayn Rand
4:03
4939614e-074f-4c6e-afff-e3228fd550cf
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
14
linking them to it
Fingerprints
32
distinct audio files
Duration
4:00–4:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
866e0978-c1dd-4729-90cd-8bb50183a9ec
Also linked to
Grosser Bär (Radio-Edit) by K2
|
3 | 4:02–4:05 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 0344598e-97c2-46c1-944a-321922050bfc | 1 | 4:03 | ||||||||||||||||||||||||||||
| C | e025129f-e18c-455c-b398-cbee5b657056 | 2 | 4:00–4:03 | ||||||||||||||||||||||||||||
| D |
13c23c52-e005-4844-8e69-50cbef2e48d5
Also linked to
Inte en spänn på fickan by Rolf Wikström
|
3 | 4:02–4:04 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 6cbc4393-1c2b-4dcf-aa8f-efa25cd9ac06 | 1 | 4:02 | ||||||||||||||||||||||||||||
| F | fb596bb4-5f76-4a50-bd09-b3466f6043c0 | 1 | 4:03 | ||||||||||||||||||||||||||||
| G |
33759260-7598-4a3b-913f-e4715cdcb2d5
Also linked to
Rock and Roll by Led Zeppelin, Rock and Roll by Led Zeppelin and
|
14 | 4:02–4:05 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | e46ef345-377f-4991-b6a1-fdc4cdaffa55 | 1 | 4:03 | ||||||||||||||||||||||||||||
| I |
4d38ee86-316b-4c21-89fd-05c09958bc4b
Also linked to
Train by 4 Non Blondes
|
2 | 4:02–4:03 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | abc7cc6b-f194-4178-b3fc-6a812e91cc1d | 1 | 4:02 | ||||||||||||||||||||||||||||
| K |
6c9d42c4-cf4b-44c6-a2be-452d93cd1553
Also linked to
Down With the Sickness (edit 1) by Disturbed
|
3 | 4:01–4:06 | ||||||||||||||||||||||||||||
|
Recordings linked to K
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |