MusicBrainz recording
One More Night
Phil Collins
4:33
48b931b2-cd65-44da-a48e-1cbb2458d65d
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
85
linking them to it
Fingerprints
70
distinct audio files
Duration
4:23–4:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0f0e82cb-559a-49ed-bceb-7f2d3afd8a94
Also linked to
One More Night by Phil Collins
|
7 | 4:30–4:37 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
c2fe8995-9cc1-4e00-8f68-6ff2122902f6
Also linked to
One More Night by Phil Collins, One More Night by Phil Collins and
|
33 | 4:42–4:49 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
83669cd6-ac4e-4cba-80ea-ff1f45ed54a2
Also linked to
One More Night by Phil Collins, One More Night (demo) by Phil Collins
|
10 | 4:35–4:42 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
89d335e3-424d-4100-a224-74b0f37fb30c
Also linked to
One More Night by Phil Collins
|
1 | 4:39 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
93530350-70e0-4c3c-b21a-36347ee38b5c
Also linked to
One More Night by Phil Collins, One More Night by Phil Collins
|
8 | 4:42–4:48 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 18fb6fad-6a8b-47f5-bca4-2e81127c77a7 | 1 | 4:34 | |||||||||||||||||||||||
| G | 56157eb3-a260-4d90-973e-c91757ec5f57 | 1 | 4:33 | |||||||||||||||||||||||
| H | 9998eeb9-d34a-4f0e-b6f0-66becadc19dc | 1 | 4:30 | |||||||||||||||||||||||
| I | ad6d090b-01ca-462a-a18f-9120f35ee814 | 1 | 4:31 | |||||||||||||||||||||||
| J | 6a0ae82c-97e6-4b5b-a7ee-62d924de1dff | 1 | 4:40 | |||||||||||||||||||||||
| K |
026c5cba-b6b2-41f7-bd3f-ec0c77e19e8a
Also linked to
One More Night by Phil Collins, One More Night by Phil Collins
|
6 | 4:23–4:29 | |||||||||||||||||||||||
|
Recordings linked to K
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.85 | 0.93 | 0.89 | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.90 |
| B | 0.85 | — | 0.85 | 0.95 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.83 |
| C | 0.93 | 0.85 | — | 0.89 | 0.67 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.89 |
| D | 0.89 | 0.95 | 0.89 | — | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.83 |
| E | 0.65 | 0.60 | 0.67 | 0.62 | — | 0.00 | 0.00 | 0.69 | 0.00 | 0.00 | 0.70 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.61 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.69 | 0.00 | 0.00 | — | 0.00 | 0.55 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.61 | 0.00 | 0.55 | 0.00 | — | 0.00 |
| K | 0.90 | 0.83 | 0.89 | 0.83 | 0.70 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |