open source audio identification
MusicBrainz recording
I Love the Nightlife
Alicia Bridges
3:39
46642f64-dbe4-4e2f-af90-537f8651b2a5
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
16
linking them to it
Fingerprints
52
distinct audio files
Duration
3:33–3:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 94a4f82d-04f3-4091-b714-60bfa251e8f9 | 1 | 3:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| B | 23f560b3-9708-4892-b4c4-c8b28928bf18 | 1 | 3:38 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
c0a1c86b-51f0-4502-8d33-28f94b702a40
Also linked to
It’s All in Your Head by Diamond Rio, How Your Love Makes Me Feel by Diamond Rio
|
3 | 3:39–3:42 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
3ce6f998-a896-4aed-943a-668441b6bd47
Also linked to
Crash Site: Confrontation by David Clynick
|
1 | 3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
4e9ef331-903b-4ede-be66-0f95ccfdfd88
Also linked to
Upside Down by Diana Ross, Upside Down (Single Version) by Diana Ross and
|
34 | 3:34–3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 9848cd09-803b-4516-a03b-99952aa22b55 | 5 | 3:33–3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
cb0a48db-c855-45b8-8003-442e7bb5b2c6
Also linked to
Takin’ It to the Streets by The Doobie Brothers, Takin' It to the Streets (single version) by The Doobie Brothers and
|
7 | 3:43–3:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.