open source audio identification
MusicBrainz recording
Forever Mine
2 Times Terror
3:45
4518b746-ffb8-49ca-96fb-4c08f468e606
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
18
linking them to it
Fingerprints
47
distinct audio files
Duration
3:36–3:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 18a13e13-f378-4408-a5c7-6e871e010d05 | 1 | 3:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
| B | 5e9e0de2-937a-4836-9758-927176764b3f | 2 | 3:44–3:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
646493d3-9cdb-4807-a5ac-b6009f562efb
Also linked to
It’s a New Day (main) by will.i.am, It's a New Day by will.i.am and
|
7 | 3:37–3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
09c67fa9-c1fc-4651-9647-f632a8a13432
Also linked to
Come Over by Estelle feat. Sean Paul
|
3 | 3:49–3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
726175b0-c808-4e0c-9631-d079fd056e02
Also linked to
Feel Good Time (single edit) by P!nk feat. William Orbit, Feel Good Time by P!nk featuring William Orbit and
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4 | 3:48–3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 6a960b8d-9516-4096-b31f-b23fefa0a8b1 | 15 | 3:49–3:55 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
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| G |
a62732a5-fe0d-4ef9-ad5f-182c6a08f7d3
Also linked to
If You Were Mine by Marcos Hernandez, If You Were Mine by Marcos Hernandez and
|
7 | 3:36–3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | 3fc141f9-c19b-42f0-8537-eeff96d94e8a | 8 | 3:51–3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |