MusicBrainz recording
Outside Woman Blues
Cream
2:28
original mono studio mix
44525488-6b06-4afd-902d-e6dce2faa3db
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
473
linking them to it
Fingerprints
54
distinct audio files
Duration
2:23–2:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
56016745-ed4f-4dff-8f5e-d106910bf0bd
Also linked to
Outside Woman Blues by Cream, Outside Woman Blues by Cream and
|
28 | 2:23–2:29 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7aa85b08-5242-484b-bafc-05d50649dfb6
Also linked to
Outside Woman Blues by Cream
|
1 | 2:28 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
5f152a40-92c8-4905-96e5-80109a3a4167
Also linked to
Outside Woman Blues by Cream, Outside Woman Blues by Cream and
|
16 | 2:24–2:30 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
2150250e-2754-4050-8446-93d1b331526b
Also linked to
Outside Woman Blues by Cream, Outside Woman Blues by Cream
|
2 | 2:26 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
ddbd9e35-7897-446c-bf57-fd15c337d83f
Also linked to
Outside Woman Blues by Cream
|
3 | 2:28–2:29 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 75c762b6-c026-4834-b752-37aaec347b80 | 1 | 2:27 | |||||||||||||||||||||||||||||||||
| G | 9a89d9f0-ed4b-4c7b-adbb-3db7abee798b | 1 | 2:27 | |||||||||||||||||||||||||||||||||
| H | a61777bd-2ea5-4067-87e9-0aafb3bb78c4 | 1 | 2:43 | |||||||||||||||||||||||||||||||||
| I | e5e57f75-adcc-47b1-b314-9a1133352d3d | 1 | 2:27 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.64 | 0.34 | 0.90 | 0.81 | 0.00 | 0.00 | 0.82 | 0.00 |
| B | 0.64 | — | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 | 0.73 | 0.00 |
| C | 0.34 | 0.53 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 | 0.00 |
| D | 0.90 | 0.00 | 0.00 | — | 0.74 | 0.00 | 0.00 | 0.84 | 0.00 |
| E | 0.81 | 0.00 | 0.00 | 0.74 | — | 0.00 | 0.00 | 0.71 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 1.00 |
| H | 0.82 | 0.73 | 0.51 | 0.84 | 0.71 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 1.00 | 0.00 | — |