MusicBrainz recording

You Don’t Have to Be a Star (to Be in My Show)

Marilyn McCoo & Billy Davis Jr. 3:54
43c1f7f7-3d9f-4ffc-b005-eaaa8abceca6 View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
337
linking them to it
Fingerprints
19
distinct audio files
Duration
3:39–4:01
range of submitted files

AcoustIDs

Most submitted first, 4 disabled
AcoustID Most common fingerprint Fingerprints Length Sources
A 573688bf-b86e-4b98-9f96-c83272363dd9
Also linked to I Still Will Be With You by Marilyn McCoo & Billy Davis Jr., You Don't Have to Be a Star (to Be in My Show) by Marilyn McCoo & Billy Davis Jr. and
8 3:50–3:57
256
B 28f49233-a380-43c4-b293-2b8e725d77aa
Also linked to You Don’t Have to Be a Star (to Be in My Show) by Marilyn McCoo feat. Billy Davis Jr., You Don't Have to Be a Star (To Be in My Show) by Marilyn McCoo & Billy Davis Jr.
4 3:59–4:01
71
C d7347171-b6f9-4da7-bff6-f9688c263c86
Also linked to You Don't Have to Be a Star (to Be in My Show) by Marilyn McCoo & Billy Davis Jr.
2 3:40–3:41
5
D 3d5bfd16-d4d9-41bd-a647-870ee44ea173
Also linked to Get Closer by Seals & Crofts, Tonight’s the Night (Gonna Be Alright) by Rod Stewart
2 3:45–3:48
2
E 20bf693d-4c6a-449a-aa6b-526d7233100b
Also linked to It’s My Life by Bon Jovi, It’s My Life by Bon Jovi and
43 3:43–3:50
2
F c5bb28ab-eb6a-4c57-992d-736981cda626
Also linked to You Don't Have to Be a Star (to Be in My Show) by Marilyn McCoo & Billy Davis Jr.
2 3:39–3:44
2
G 87713d74-08ea-4092-92fc-dcedd8ab369a 1 3:53
1
H 68c79776-2f67-46ff-a0f3-9d3a2601cce5
Also linked to You Don’t Have to Be a Star (to Be in My Show) by Marilyn McCoo & Billy Davis Jr., You Don’t Have to Be a Star (To Be in My Show) by Marilyn McCoo & Billy Davis Jr. and
4 4:39–4:45
1
I b9b6e8c3-2e1c-4ec8-b04a-3b7a82e2cb45 1 3:54
1
J 9320635a-4132-41d5-977b-00c44ef075ee 1 3:51
1
K 38248e3e-46e7-41c8-a2ee-18c861627681
Also linked to All My Life by K‐Ci & JoJo, All My Life (radio edit) by K‐Ci & JoJo and
19 3:35–3:42
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.