open source audio identification
MusicBrainz recording
Track 01
Ayn Rand
2:07
421b53a1-7419-482e-bf32-a4ab9961a86d
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
26
linking them to it
Fingerprints
26
distinct audio files
Duration
1:47–2:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c8bb3779-1b90-429e-8d88-a6f6b38841e8
Also linked to
Ain’t She Sweet by The Beatles, Ain't She Sweet by The Beatles and
|
4 | 2:13–2:14 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 49716031-2403-4505-b480-2ceada4b09a1 | 2 | 2:06–2:07 | ||||||||||||||||||||||||||||||||||||||
| C |
a3f09235-a267-48df-96bf-9895b6e2c24a
Also linked to
Quackhead by The Turntablist
|
3 | 2:06–2:07 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | dd13e700-0b9d-42b5-bfcf-3136c5de1ab9 | 2 | 2:07 | ||||||||||||||||||||||||||||||||||||||
| E | a7838f3c-eefe-4d19-abe7-cc1df18dc301 | 1 | 2:08 | ||||||||||||||||||||||||||||||||||||||
| F | 01f43075-f004-46d1-aff8-5fc3dd3b8370 | 1 | 2:06 | ||||||||||||||||||||||||||||||||||||||
| G | 069b1c33-a8e3-4d07-bb7a-804385a2b14a | 1 | 2:20 | ||||||||||||||||||||||||||||||||||||||
| H | 2ea2172d-c9ee-4a5e-819e-6fc0b36712ee | 1 | 1:50 | ||||||||||||||||||||||||||||||||||||||
| I |
f12ee138-12f4-4b68-a2cc-ff2cd8a14265
Also linked to
El encuentro by Daniel Indart, El Encuentro by Daniel Indart
|
4 | 2:06–2:07 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 8fcf6a89-0d81-436f-b471-0ca89ad999e6 | 6 | 1:47–1:49 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 4f2db63b-6d1e-4273-a7ca-92eda5b1c585 | 1 | 2:07 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |