open source audio identification
MusicBrainz recording
Promises
Calvin Harris & Sam Smith
3:34
416612cb-759e-4b40-9e1c-ce560cf7ddaf
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
681
linking them to it
Fingerprints
32
distinct audio files
Duration
3:21–7:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 655451d1-3bac-4c7f-8d63-346fb3c981e9 | 11 | 3:33–3:37 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 8485d9e2-ca83-46d6-9ab9-e7f693f286dd | 1 | 3:33 | |||||||||||||||||||||||||||||||||||||||||||
| C |
e1fdc72e-2265-47e5-97b8-7da6fc2daa86
Also linked to
Promises (Mousse T.'s disco shizzle remix) by Calvin Harris & Sam Smith, Find Me 2015 (Bodybangers remix) by Jam & Spoon
|
6 | 3:24–3:31 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 6b30b4cb-a6a5-457d-ba8f-1c93c3c4c952 | 1 | 7:02 | |||||||||||||||||||||||||||||||||||||||||||
| E | 721a3a6f-23fd-4df5-96d4-0c3bc56ad0b8 | 1 | 3:33 | |||||||||||||||||||||||||||||||||||||||||||
| F |
5a031c2b-6fa4-47ac-bdeb-caae3915f048
Also linked to
Stop and Stare by OneRepublic, One Step at a Time by Jordin Sparks and
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5 | 3:39–3:46 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | b0270574-47a6-4c8b-a378-db7acbc124f1 | 1 | 3:29 | |||||||||||||||||||||||||||||||||||||||||||
| H |
a6770f2e-b5be-4158-9aec-c6a38cfa7935
Also linked to
Goodbye Mr. A by The Hoosiers
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4 | 3:47–3:50 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | f42a6dee-14d5-40be-bf1e-f845666ae9df | 2 | 3:21 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.64 | 0.00 | 0.00 | 0.06 | 0.00 | 0.55 | 0.00 | 0.00 |
| B | 0.64 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.59 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.06 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.55 | 0.59 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |