MusicBrainz recording

For Once in My Life

Stevie Wonder 2:48 mono
412fd91f-7094-4d48-bf37-231784e9dfc2 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
61
linking them to it
Fingerprints
158
distinct audio files
Duration
2:36–4:30
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 3815bd74-640a-43b0-b1ab-582865c3b2c9
Also linked to For Once in My Life by Stevie Wonder, For Once in My Life (single version) by Stevie Wonder and
12 2:43–2:50
21
B 3afc5b46-cfaf-4515-af0a-c2bc0f7c670b
Also linked to For Once in My Life by Stevie Wonder, For Once In My Life by Stevie Wonder and
18 2:49–2:56
12
C 7bba2c76-5867-45a2-87cd-237fc7a8ddc5
Also linked to For Once in My Life by Stevie Wonder, For Once in My Life (single version) by Stevie Wonder and
2 2:47
10
D ac229719-4019-489d-b2aa-86a9ee5fd0a4
Also linked to For Once in My Life by Stevie Wonder, Nothing’s Too Good for My Baby by Stevie Wonder and
44 2:45–2:52
7
E efefa37a-7926-40bc-af26-57dd2bf99f60
Also linked to For Once in My Life by Stevie Wonder, For Once in My Life by Stevie Wonder and
5 2:36–2:43
2
F 17d6b90e-4e09-4fcd-beef-5641c3d20a94
Also linked to I Heard It Through the Grapevine by Marvin Gaye, I Heard It Through the Grapevine (from the Big Chill) by Marvin Gaye and
35 3:12–3:18
2
G c6dbe4e3-d8e9-42c3-845a-54e80b348a16 2 2:50–2:52
2
H b73c77a1-7fde-4e39-9fc3-ff25eff84aca
Also linked to For Once in My Life by Stevie Wonder, This Old Heart of Mine (Is Weak for You) by The Isley Brothers
6 2:48–2:52
1
I 9ea61c48-fed1-4403-858a-60d7a356e2b3
Also linked to For Once in My Life by Stevie Wonder, For Once in My Life by Stevie Wonder and
15 2:45–2:51
1
J 19e8de8d-a71b-4426-b3b9-009e351837f4 1 4:30
1
K 3e704c49-cc10-4ef5-afec-4c92e3da8b22 1 2:44
1
L f1614596-90f1-4e9f-b7dc-aeaff28ea097
Also linked to For Once in My Life by Tony Bennett, For Once in My Life by Tony Bennett and
17 3:20–3:24
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.