open source audio identification
MusicBrainz recording
Cathy’s Clown
The Everly Brothers
2:35
live, 1983‐09‐23: Royal Albert Hall, South Kensington, London, UK
3ee2cf6c-3bb2-4543-8960-eef8e7d5917d
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
50
linking them to it
Fingerprints
58
distinct audio files
Duration
2:28–2:46
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
53a2ec30-f277-4062-a0d7-33832f78e322
Also linked to
Cathy’s Clown by The Everly Brothers, Cathy’s Clown (live) by The Everly Brothers and
|
27 | 2:34–2:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
a3d89093-970b-4ee6-a742-7eafa4125f00
Also linked to
Cathy’s Clown by The Everly Brothers, Cathy’s Clown by The Everly Brothers and
|
8 | 2:28–2:35 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
2a5835a3-6892-4d69-aa83-a0e96a0166f5
Also linked to
Cathy’s Clown by The Everly Brothers, Cathy’s Clown by The Everly Brothers and
|
3 | 2:35–2:38 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
9512965f-7cf8-4ae2-ad01-967e489bb517
Also linked to
Cathy’s Clown by The Everly Brothers, Cathy’s Clown by The Everly Brothers and
|
20 | 2:39–2:46 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.